How to be fearless

If I may venture to give advice, although I don’t believe I am qualified to as this is also something I’m in the process of working out fully, I think this may be one way to become fearless

It came to me whilst I was reading a 3-2-1 article by James Clear. Of satisfaction, he quoted author Ann Hastings on the availability of satisfaction:

“Satisfaction is always available. It is just not always looked for. If, when you enter any experience, you enter with curiosity, respect and interest you will emerge enriched and with awareness you have been enriched. Awareness of enrichment is what satisfaction is.” Ann Hastings.

It dawned upon me that fear should also be treated in the same way! If we can treat something we fear with curiosity, paint the task, person, or the event with respect, build interest and knowledge within that looming darkness, we twist the arm of that which we are afraid of. We become aware of this shadow in our lives via a different lens.

And this is perhaps how I’ll work on my procrastination and my fears.

Competitions done right

Me in Taipei for the Maestro Taiwan International Piano Competition having a great time

How do we make music competitions a positive and nurturing experience? How do we navigate through the competitive, win-lose, and often tortuous nature of these contests? On top of that, how can jury members, organisers, and the administration ensure that competitors will WANT to come back because they’re able to get so much value out of the competition?

That is the challenge I want to tackle. I’ve been asked by a really good friend to collaborate on a competition. My first thought was: how can we distinguish ourselves from all the other thousands of competitions? Prize money? Concert opportunities? Prestigious jury members?

Or shall we go down a route where we try to offer each and every qualifying competitor the best and most valuable lessons in music, art, and life? So that even if you do not attain the first couple of prizes, you don’t feel like you lost. You would feel like you have the tools to get better. I want the competitors to feel like they’ve gained something either in technique, career advice, musical and artistic experience, or even something as simple as encouragement from the competition.

This is so we can build a world where artists feel like they are a part of something larger. That they can incorporate art and the lessons learnt from honing a craft, into their own lives.

For me, this is a prize that I can offer everyone and it will be something invaluable that they will carry with them for the rest of their lives.