piano
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This is the closest I’ve been to feeling like a filmmaker. The first I heard of this idea of collaborating with the London Symphony was in 2022 when Gian Paolo first approached me about this project. He had a contract with Warner Classics that would allow him to publish and distribute an album with them.
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All things considered, it’s been a great week; somehow mustering the courage and will to record Day 1-4 of #100daysofpractice, including Day 4’s substantial instructional but highly rewarding work, making progress with the Shostakovich, and moving things along with the Mozart. Physically, it’s been a really rough week. My right wrist has been inflamed and
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yes, we’re still in lockdown but I’ve discovered that within my 10km radius of allowed venturing, I have a LOT of parks around me that I have yet to explore. And so, I took my camera out and filmed some snippets to try and remind you and also myself, that although the monotony of lockdown
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If I may venture to give advice, although I don’t believe I am qualified to as this is also something I’m in the process of working out fully, I think this may be one way to become fearless It came to me whilst I was reading a 3-2-1 article by James Clear. Of satisfaction, he
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This is not particularly radical but upon watching Billie Ellish’s Same Interview, I really do think it’s worthwhile for me to do the same. For my YouTube channel. I’ve always been obsessed with having a record of my thoughts, my development, and my change throughout the years. At the more arrogant age of 20 or
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I was brushing my teeth and daydreaming. I dreamt I was performing at Koerner Hall. I had finished playing some Schubert Impromptus and had gone backstage for a quick breather. Upon coming out, the stage was set up with a guitar and a keyboard on top of a nice rug. The second half was going
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I think I’ve found out what I lack. I lack the hustle. I think I work quite hard at a lot of different things at once. I like working a little on ideas here and then working on another idea there. But I lack the hustle of focusing on one or two things INTENSELY. I
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How do we make music competitions a positive and nurturing experience? How do we navigate through the competitive, win-lose, and often tortuous nature of these contests? On top of that, how can jury members, organisers, and the administration ensure that competitors will WANT to come back because they’re able to get so much value out
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What would happen if four classical musicians and a producer worked on writing an album? What would happen if they were put in a large house with a recording studio and told to come up with 10 songs for an album? I think it would be absolutely brilliant. If you would like to do this
Chris Ka Long Au 